From October 2025 through May 2026, the Théâtre Princesse Grace (TPG) will play host to a splendid array of 28 theatrical gems, blending timeless classics, avant-garde creations, and rising stars on one of Europe’s most celebrated stages. Three opulent productions will grace the grand stage of Monaco’s Grimaldi Forum: Bérénice, directed by Belgian-Flemish visionary Guy Cassiers with the Comédie‑Française, offers an electrifying, modern visual riff on Racine’s tragedy The Truth (La Vérité) by Florian Zeller, a sleek comedy-drama featuring a star-studded ensemble including Stéphane De Groodt and Clotilde Courau The Cunning Widow (La Veuve rusée), a lively Goldoni farce starring Caterina Murino, Sarah Biasini, Tom Leeb, and Pierre Rochefort, a joyful nod to the elegance of Italian theater.
Reimagining the Classics with Bold Vision TPG’s lineup takes well-loved works and turns them on their head including: The Marriage of Figaro, with Philippe Torreton under Lena Bréban’s socially charged direction, promises to reconnect with Beaumarchais’s political edge Cyrano de Bergerac, performed by Édouard Baer, is set to bloom in a poetic reinterpretation that reinvigorates the legendary swashbuckler.
Leading Lights of the Stage
A lineup of celebrated actors will enliven diverse narratives: Address Unknown (Inconnu à cette adresse), with Stéphane Guillon and Jean‑Pierre Darroussin, weaves an emotional letter-based drama The Family, a Samuel Benchetrit comedy with Patrick Timsit and François‑Xavier Demaison, strikes a blend of warmth and wit Nothing Ever Happened to Me is where Vincent Dedienne channels Jean‑Luc Lagarce’s memories in a fragile, poetic show Scenes from a Marriage, inspired by Bergman, with Stanislas Nordey and Romane Bohringer delivers emotional intensity In Monet’s Eyes, guided by Clovis Cornillac, transports audiences into an immersive experience of Monet’s world The Prize, starring Pierre Arditi and Ludmila Mikaël is a stage that dramatizes the stakes of Nobel ambitions.
It is a character-driven exploration of values, recognition, and interpersonal conflict My Lucky Day is a hit comedy brought to life by Guillaume de Tonquédec in a show by Haudecoeur & Sibleyras Molière-Winners. TPG highlights award-winning excellence with: 4211 KM (Best Private Production & Rising Female Talent, 2024) It’s Not Easy to Be Happy When You’re Unwell (Best Comedy & Best Francophone Author, 2024), Les Liaisons dangereuses, led by Delphine Depardieu and Molière-winning actress (2025).
Delphine Depardieu herself won the 2025 Molière for Best Actress in a Private Theatre Production. Coal in the Veins, the meteoric success grabbing five Molières (2025) Ring, featuring Amaury de Crayencour and Jina Djemba, lauded in recent selections Fresh Talent & Brave New Tales.
TPG also shines a spotlight on emerging creators: Panayotis Pascot & Paul Taylor, contemporary stand-up sensations delivering sharp comedy Lumière!, a theatrical homage to electricity’s invention, mixing science and poetry Nocebo, by a Belgian duo, exploring future narratives post-LU.C.A.S I’m Too Green, a young-audience show blending humor with ecological consciousness No One’s Together But Me, delving into invisible disability through intimate storytelling La Tour de Constance, a fresh piece by Guillaume Vincent with TNB graduates.
Philosophical Partnerships & Ticketing Info
The TPG again hosts the Rencontres Philosophiques de Monaco, including talks and the annual Philo Monaco Week. Season subscriptions have already launched on July 7 (by mail). Later on August 25 (box office), with individual tickets from September 1.
The bar is open from 6 pm on show nights, setting the evening vibe.
Why This Season Shines
TPG’s 2025–2026 lineup balances big-budget spectacle and intimate storytelling, offering striking visual reimaginings of classics and globally acclaimed award-winners, It’s a stage for risk-taking, featuring bold new voices with a philosophical thread enriching audience engagement. Between the sparkle of gold-masked tragedies at Monaco’s iconic Grimaldi Forum and the tender human dramas within the Théâtre’s walls, this season invites both emotion and introspection. Cecilia Bartoli, Director of the Monte-Carlo Opera would tell you it’s a dream to be there as would Françoise Gamerdinger, Director of the Théâtre Princesse Grace, who unveiled this lineup for the 2025–2026 season.
For full details and ticket orders, visit tpgmonaco.mc.
